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Designed by Studio Sovet
Available in more than 200 combinations, Kodo has been designed to reach large dimensions while maintaining an exceptional structural lightness.
Finishes:
Structure in metal lacquered embossed white, clay, mocha, black or burnished brass, top in glass in clear or in a selection of glass tinted, lacquered or frosted lacquered, textured net, textured materia or in ceramic polished or matt finish
Dimensions:
W2000 x D1000 x H740 mm W2400 x D1000 x H740 mm W2400 x D1200 x H740 mm W2400 x D1400 x H740 mm W3000 x D1000 x H740 mm W3000 x D1200 x H740 mm
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A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
Dam is a transversal small armchair, characterized by a wrapping and comfortable well recognizable backrest. Seat, lumbar support and backrest/armrests are the three elements that, held together in an invisible way. Available in a single fabric or with a gradient of different tones for a best match with the spaces to be furnished.
$680.00
Named after the Betty Nansen theatre in Copenhagen, this stackable chair is a true evergreen design.
$2,330.00
In 1982, the designer Charles Pollock created a real design classic: Penelope. The American designer developed for Castelli a revolutionary chair from a technical and formal point of view: a steel-wire sled base supports a seat permeable to air which consists in a steel-wire fence coated with synthetic resin. The elastic effect of the base […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.