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Lazada
Designed by Elio Martinelli
Cobra, designed by Elio Martinelli in 1968 is over 50 years old, but doesn’t look it. A lamp still in the catalogue today for the fascination it continues to exert for the public. A lamp that is still timely, even if it took several years for its innovative design to be appreciated despite its simple formal rigor, and its presence in some well-known movies is further proof of this.
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Designed in 1965 by Elio Martinelli, the lamp is made of methacrylate molding techniques innovative for the time in which it was designed and its geometric shape and dynamism revives the atmosphere of those years decisive for the success of the design Italian in the world.
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Its name immediately evokes its shape, we can envision the shape without seeing it. It is a small table lamp, the ideal mate for the evening, on a shelf near your bed, near the sofa wherever you want to have a little bit of light or wherever you want to read. A point of light, […]
$190.00
The sculptural shape is the result of a simple geometric configuration that combines productive and functional intelligence, perfectly capturing the characteristic traits of the design by Vico Magistretti.
$830.00
The Margin lighting family is designer John Asbury?s modern interpretation of a classic luminaire. Exploring a tiered typology for lighting, Margin?s intersecting shades gently diffuse the light and instantly set the tone with warmth and tactility. The softness of the fabric is tempered by a clean and graphic silhouette that lends a certain presence and […]
$2,190.00
AX represents one of the first times that plywood was shaped in 3D. The continuous curve of the armrests is mirrored in the frame, indicative of Hvidt & Mølgaard’s training in Danish cabinetry. Their expert engineering of the construction ensures unsurpassed ergonomics, resulting in the design’s reputation as the most comfortable wooden chair of its […]
$1,730.00
Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.