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Lazada
Designed by Elio Martinelli
Cobra, designed by Elio Martinelli in 1968 is over 50 years old, but doesn’t look it. A lamp still in the catalogue today for the fascination it continues to exert for the public. A lamp that is still timely, even if it took several years for its innovative design to be appreciated despite its simple formal rigor, and its presence in some well-known movies is further proof of this.
Variation
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Its name immediately evokes its shape, we can envision the shape without seeing it. It is a small table lamp, the ideal mate for the evening, on a shelf near your bed, near the sofa wherever you want to have a little bit of light or wherever you want to read. A point of light, […]
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Designed in 1965 by Elio Martinelli, the lamp is made of methacrylate molding techniques innovative for the time in which it was designed and its geometric shape and dynamism revives the atmosphere of those years decisive for the success of the design Italian in the world.
Oud is an extraordinary desk lamp. Its single armature follows a continuous and unbalanced line, concealing all the mechanisms of a warm LED light source. A sphere of polished marble rests on the lower leg; its diameter fitted to the palm, a quarter turn operates the internal switch.
$2,790.00
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined […]
$2,200.00
Ipoli is a decorative multifunctional collection centered on the movement of playful swiveling heads atop a slender base. The collection draws inspiration from the design tradition of utilitarian, streamlined task lamps and office lighting, while enfolding Lambert & Fils’ unique twist, both poetic and sturdy. Whether employed as a task light, ambient accent, or focal […]
$800.00
The first wall lamp designed by Le Corbusier in 1925, originally thought to enlighten the large windows of Villa La Roche, a manifesto of purist architecture. Nemo edits La Roche enhancing its lightness and functionality: a matte metal frame and an opal glass diffuser for soft lighting.