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Designed by Umberto Bellardi Ricci
Fackel is the German word for the medieval wall torches that released naked flames on the walls of castles and convents._ Inspired by these ancient lamps, Umberto Bellardi Ricci bends a metal bar in two points and lets it run parallel to the wall, onto which he projects a warm and suggestive glow, similar to the light of sunset, thanks to the LED strip positioned on the back of the bar._
Finishes:
Fitting in metal plated chrome, structure in metal painted ivory, green or brown
Dimensions:
W60 x H1920 mm
$0.00
From the first piece of bent metal, Umberto Bellardi Ricci experiments with shapes and reflections to capture and refract light as if it were coming from the curves of a spiral while the light source remains embedded in the initial fold. Designed for Tacchini, the Ancora rolled mirror captures light in the metal curves and […]
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Doric is designed by Umberto Bellardi Ricci for Tacchini: a wall light that evokes the Doric columns of classical Greece and is inspired by the designer?s recent experiments with the golden spiral, or divine proportion, and curvilinear shapes and spiral shapes that can be obtained from it. Made of painted sheet metal, it emanates a […]
$2,460.00
Everyone has their own story, everyone has their present. Up close, or far away, it’s important to see clearly ? 2 x x3 magnifying mirror, 2 light discs, 2 shelves.
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.
$770.00
Like a powder case or a precious box, the mechanical action of opening or closing makes the object reassuring and immediately understandable. The light is diffused by a thick glass pane, throughout its depththickness. Inside, the polished brass flap acts as a pivoting mirror thanks to a visible hinge.
$450.00
Applique de Marseille, designed by Le Corbusier in 1938/1939 for his Parisian flat in Rue Nungesser et Coli, provides direct and diffused light: two cone-shaped lampshades orient the light upwards and downwards, providing uniform and sharp light beams.