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Lazada
Designed by Studio Expormim
Designs renovated from original pieces, which in his day, were part of the Expormim’s catalogue. Furniture that were a great success due to its comfort, robustness and durability. Made of non-skin and tinted rattan with water based dyes
Finishes:
Frame in rattan in natural or stained in a selection of colours, optional seat in a selection of fabric, vinyl or leather
Dimensions:
W670 x D740 x H790 mm SH430 mm
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Designs renovated from original pieces, which in his day, were part of the Expormim’s catalogue. Furniture that were a great success due to its comfort, robustness and durability.
Tryp is a side table. In spite of being conceived as a discreet accessory, it hardly goes unnoticed because its sophisticated aesthetic and metallic finish make it shine with unique elegance. Its legs are made of thin steel converging in a subtly perforated round top. It looks lightweight and it is indeed.
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.
Of all our classics, Copa was perhaps the one that did not need to be remembered because it was never forgotten. Despite its majestic pose, the truth is its high backrest provides a warm, enveloping hug. Its organic design evokes the blossoming bud of a flower welcoming the person who sits on it.
The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
$2,060.00
After experimenting for years with the concept of a laminated wooden frame inspired by old wooden tennis rackets, Danish design duo Hvidt & Molgaard released X in 1959, a lounge chair with a distinctive sloping silhouette and understated aesthetic.
An armchair that feels like a hug. Fully upholstered rounded elements that complement and embrace each other from every angle. In their unity, the playfully intertwining parts create a soft visual pleasure yet a symmetrical look which makes it the perfect armchair suitable for any space.
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.