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Lazada
Designed by Antonio Rodriguez
Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.
Finishes:
Legs in beech wood lacquered black, upholstery in a selection of fabrics or leather
Dimensions:
W750 x D830 x H765 mm
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$590.00
A cylindrical base accommodates the light source, concealing it while supporting the blown glass diffuser. The blown milk glass with plate-glass shading makes it possible to achieve a soft light on the work surface or the wall and a higher-performing light towards the room.
Antonia Astori calls ‘memory furniture’ those pieces which tell something about people attention to indoor living. An attention expressed both by the recovery of disappeared archetypes, eg. canopy bed, and in precious materials manufacturing, eg. pleached roped steel headboard.
$5,820.00
In a daily life in which we easily move through virtual and remote interactions, Lilin sofa has been conceived as an invitation to communication and conviviality. The soft shapes and rounded lines of the seat and backrest suggest a welcoming feeling of comfort, while the curve of its structure places those who sit in a […]
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Like the undulating lines of coastal nature?simultaneously static yet softy organic?the Shore family embodies fleeting moments in its sweeping design. Crafted by designer Joel Fj?llstr?m, this upholstered series features a 2- and 3-seater sofa and an armchair, marking a significant chapter as his debut venture from his own creative atelier. The Shore Sofa beckons one’s […]
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]