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Lazada
Designed by Philippe Starck
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
Finishes:
Structure in stainless steel in polished finish or plated copper
Dimensions:
W600 x D570 x H805 mm SH445 mm
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As a reinterpretation of Costes chair, King Costes alters its size and increase its firmness while confirming the absolute recognition of this image and its durability against trends alternation.
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
An armchair/character, with an organic outline, perhaps anthropomorphous, conceived with leather directly fixed on a fiberglass skeleton. A tribute, to the great Carlo Mollino and to the Danish design of the 50s, led by Starck with impeccable mastery. The frame is the result of a complex and skilful construction: a first outer shell made of […]
$3,270.00$2,779.50
Despite its small dimensions, the Tenon Lounge Chair boasts an expressive character – hard and soft, strong, and graceful – as it cultivates contrasts between hard wood and upholstered surfaces. A clean construction in solid oak, assembled in a so-called ?mortise and tenon joint,? creates a sculptural frame for the seat. The straight lines and […]
Of all our classics, Copa was perhaps the one that did not need to be remembered because it was never forgotten. Despite its majestic pose, the truth is its high backrest provides a warm, enveloping hug. Its organic design evokes the blossoming bud of a flower welcoming the person who sits on it.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.