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Lazada
Designed by Philippe Starck
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
Finishes:
Structure in stainless steel in polished finish or plated copper
Dimensions:
W600 x D570 x H805 mm SH445 mm
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lou eat is not a chair, it is an animal-like sculpture that could eat you.’ Philippe Starck Lou eat and lou think, along with lou read, form the lou read family, a seating collection that features plastic sculptural shapes. lou eat is the easiest and most versatile item in the collection, a small armchair upholstered […]
A chair that incorporates the rounded 50’s style, however, ergonomically correct and more suitable for outdoor use. This is accomplished through the side slots, so fundamental to the flow of rainwater and to its stackability. Soft egg offers an organic image that can melt, so amazingly, with the organic unity of nature.
Created to complement the homonymous chair, Toy table, lives, indeed, an independent life thanks to the elegance of its stem, strongly tapered. A detail which, combined with the soft lines of connection with the top and the base, gives the piece an intense classical connotation.
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.
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The distinctive, reassuringly chunky lines of Faye Toogood?s roly-poly furniture collection become even more inviting in her new collaboration with driade. The latest line for the italian design house takes the rounded, welcoming shapes of her limited-edition assemblage no 4 range. the low seat has been augmented with upholstered cushions that nestle in its curved, […]
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
in the eclectic identity of Driade, i have always perceived a hint of french culture, just as i have always been fascinated by the interiors of parisian homes for their expert combination of furnishings and classical items, along with vintage pieces and contemporary objects.’ Alberto Lievore La Francesa issues from this imaginative background, a refined […]