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Designed by Pearson Lloyd
Orra is a sculptural seating collection that blends comfort and spatial clarity. With its flowing curves and varied back heights, Orra supports multiple seating postures while subtly shaping its surroundings. Designed to feel unified from every angle, it offers comfort without visual bulk?ideal for hospitality, workplace, or home settings.
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Polar is inspired by the shear forms of the ice caps in the arctic seas, thus giving life to an extremely versatile seating system. The seats and backrests , characterized by their full and sheared forms can be coupled together in a variety of ways, creating numerous seating layouts or options. The system is completed […]
Lightness and versatility are the hallmarks of Eddy chair, a fresh new addition to the Polar collection, design Pearson Lloyd. Its flowing and enveloping lines solve elegantlys ome concrete needs: ergonomics, practicality, adaptability.
Fixie is a stool featuring a functional tubular structure which deeply identifies the product, making it instantly recognizable as a 3D graphic pattern or a furniture sculpture. This effect is enriched by original colours making Fixie definitely unique. The aesthetic quality does not hide its functionality: the stool is adjustable in height and it’s 360° […]
Minimalism and pure elegance characterize the Cage tables, whose precious top comes in different types of marble, round or square.
$1,080.00
The stool of the EMMA collection is characterized by the iconic rope weaving of the back, a refined detail that emphasizes shape and design. The stool can be customized in different combinations of seat, legs and back, different materials and fabrics, it can be adapted for different situations and moods. It stands out for its […]
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]