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Designed by Ludovica & Roberto Palomba
Arrival is a complete lamp family with dynamic, flowing shapes that sculpt light with delicate, graphic lines. Branching out from a central joint, common to all the different versions, each model has three arms that form a soft, organic geometric shape through a profile that is both light and structure. Each element has a section that leaves the aluminium profile visible from the outside while generating a light-diffusing surface inside. The resulting elements blend into spaces with a presence that is discreet yet distinctive thanks to the shape and quality of the softly diffused light.
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Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.
Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the […]
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
Dam is a transversal small armchair, characterized by a wrapping and comfortable well recognizable backrest. Seat, lumbar support and backrest/armrests are the three elements that, held together in an invisible way. Available in a single fabric or with a gradient of different tones for a best match with the spaces to be furnished.
This high stool without a backrest is decorated with eight manually bent beech leg joints, which are the distinctive feature of its classical look. The seat can be enhanced with decorative studs.
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
The Hari stool, available in two different heights, inspired by the world of textile looms, with a very industrial aesthetic combined with the delicacy of the threads to create a subtle and elegant chair.