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Designed by Elio Martinelli
Designed in 1965 by Elio Martinelli, the lamp is made of methacrylate molding techniques innovative for the time in which it was designed and its geometric shape and dynamism revives the atmosphere of those years decisive for the success of the design Italian in the world.
Finishes:
Adjustable arm, structure in metal lacquered white, diffusor in opal methacrylate
Dimensions:
DIA450 x H450 mm
Wattage:
12W, E27
$0.00
Cobra, designed by Elio Martinelli in 1968 is over 50 years old, but doesn’t look it. A lamp still in the catalogue today for the fascination it continues to exert for the public. A lamp that is still timely, even if it took several years for its innovative design to be appreciated despite its simple […]
Its name immediately evokes its shape, we can envision the shape without seeing it. It is a small table lamp, the ideal mate for the evening, on a shelf near your bed, near the sofa wherever you want to have a little bit of light or wherever you want to read. A point of light, […]
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$580.00
Designed by Charlotte Perriand for her mountain chalet Le Vieux Matelot, Applique Cylindrique is a design that dates back to the early 1930s. Her interest in pivoting screens reflects her observation on human gestures: a simple touch allows to direct the lampshade and to control the light beam, making it possible to adjust intensity and […]
$360.00
Nessino is an icon of Italian design from the ?6s, a decade that heralded the conquest of modernity in which design redefined the domestic landscape though the first uses of plastics. Innovative and democratic, its expressive form inspired by nature interprets and challenges industrial manufacturing technology.
Foundry is an elegant and graphic Floor lamp, standing 1.9 meters high and tracing a rectangular volume in space. At the base, precious hand-cast bronze provides a solid counterweight to the cantilevered height of the lamp.
$11,390.00
The name chosen for this Bomma collection, inspired by basic geometric shapes, comes from the Greek word for ?appearances.? According to Plato?s teachings, phenomena are mere transient images of eternal and perfect forms and thus inherently unreal. A fitting name for objects made of glass ? a material that is both rigid and flexible, as […]