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Lazada
Designed by Antonio Rodriguez
A cylindrical base accommodates the light source, concealing it while supporting the blown glass diffuser.
The blown milk glass with plate-glass shading makes it possible to achieve a soft light on the work surface or the wall and a higher-performing light towards the room.
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Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
The EASE armchair boasts a sharp and simple design, with a square shape that embodies a neutral and elegant temperament. Its silhouette is solid and strong, while the interior offers a soft and comfortable experience. This sofa is crafted to provide users with an elegant and relaxing space, particularly suited for a study.
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Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant-Garde movement, drawing upon its simplicity and grandeur, refined by a contemporary, romantic, feminine allure. Star of the series is the sofa, whose generous rounded lines provided evolutionary DNA for the entire collection ? including an armchair, a chaise-longue and […]
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.