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Designed by Vico Magistretti
For many years now, Atollo has no longer been a lamp, or rather, it has no longer been just a lamp. It has become a myth, an icon: one of the best know symbols of Italian design wordwide, one of the very few products which people recognise and call with its own name. Designed by Vico Magistretti in 1977, it was awarded the Compasso d’Oro in 1979 and became, since then, part of the permanent collections of the world’s major museum of design, as well as part of the furniture of many homes of those who love and are able to select the things surrounding them. Atollo’s secret probably lies in the geometrical construction of its shapes: the cone on the cylinder and the semisphere above all. A luminous sculpture from which nothing can be removed to which nothing can be added. And which nothing can copy.
Variation
$440.00
Fresnel is a lamp created by Joe Colombo with the intention of appearing to be one of those perfect objects, that cannot be improved any further because it has been designed by time, capable of making essentiality and practicality synonyms of elegance. The Fresnel 10 cm-diameter lens becomes the absolute protagonist of this project, different […]
$1,660.00
In 1946, Vico Magistretti conceived Claritas, his first lighting design, which conceptually aimed for clarity and brightness. In a context of reconstruction and reconversion of the war industry, for the first time Magistretti used bent metal tubes and a curved aluminium sheet as a reflector, which could be oriented and regulated, ensuring the desired lighting […]
$890.00
Realised in 1979, Kuta expresses Magistretti?s constant quest to combine simplicity and geometric rigour with an evocative lighting effect of lights and shadows.
$1,390.00
Its sinuous curves resulting from the shaping of a sheet of frosted methacrylate softly diffuse the light. It brings together ?simplicity and concept? which for Magistretti are at the heart of durable design.
$3,620.00
Showcasing a soft, inviting character, the RFH Lounge Chair follows the same design principles as the RFH Armchair. Small in footprint, part of the chair’s charm lies in its low and compact form, offering a lounge piece with a striking silhouette that can be placed in the most modest of spaces.
Tiracord, designed in 1961, exemplifies Vilanova?s lifelong aim to elevate the utilitarian through design
$2,580.00
Aesthetically, it resembles nothing on earth. It?s not inspired by any existing lamp, nor is it a reproduction of some obscure design from a bygone era. It is a resolutely contemporary object. A jewel of a lamp that illuminates a mysterious universe. At the same time it is a mechanical jewel, one that is encased […]