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Lazada
Designed by Faye Toogood
The distinctive, reassuringly chunky lines of Faye Toogood?s roly-poly furniture collection become even more inviting in her new collaboration with driade. The latest line for the italian design house takes the rounded, welcoming shapes of her limited-edition assemblage no 4 range. the low seat has been augmented with upholstered cushions that nestle in its curved, bowl-like form; the collection also features a new sofa that further explores the roly-poly aesthetic, highlighting the interplay between the graceful arc of the scoop seat and the four stout and solid legs that support it.
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Orbit coffee table and desk are part of Cosmic: Toogood?s collaborative collection with Tacchini. Cosmic is full of irregular, elliptical shapes. Orbit features curving wooden legs upholstered in hide, topped with smooth wooden pebble shapes. The desk and table tops are lacquered, with a rounded hide inlay. The concentric ovals of Orbit are not uniform, […]
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Lunar form a constellation of scrunchable, glowing lights designed by Faye Toogood. This range of lighting epitomises Toogood?s playful and tactile taxonomy of materials. Lunar are quilted pendant lights with crumpled, papery covers. Internal wadding diffuses the light, giving Lunar a soft glow. Although each light is the same design the crunchable material framing the […]
The distinctive, reassuringly chunky lines of Faye Toogood?s roly-poly furniture collection become even more inviting in her new collaboration with driade. The latest line for the italian design house takes the rounded, welcoming shapes of her limited-edition assemblage no 4 range. the low seat has been augmented with upholstered cushions that nestle in its curved, […]
Born out of the fascination by those big rattan or cane armchair so common in South East Asia, Patricia Urquiola creates her own sophisticated rendition.Volumes expand, braids are doubled, patterns appear unexpectedly and gracefully fragmented. The Pavo collection introduces a strong exotic connotation.
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.