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Designed by Christophe Pillet
This table base can be assembled with tops of various types, according to the taste and needs.
Finishes:
Structure in metal powder coated white, silk grey, grey, bronze, Dark brown or black, top in carrara or dark emperador marble, HPL laminate or ceramic
Dimensions:
W700 x D700 x H740 mm W800 x D800 x H740 mm W900 x D900 x H740 mm W1000 x D1000 x H740 mm W700 x D700 x H670 mm W800 x D800 x H670 mm W900 x D900 x H670 mm W1000 x D1000 x H670 mm
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As a crib, the Summerset chair pampers you in your living room or in your garden. Available with two cushions options: either two small quilted pillows, one for sitting, one for the back, or one removable bi-colour cushion. A seat that allows the body’s total rest during outdoor relaxing moments.
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
This coffee table can be matched with tops of various types, according to the taste and needs for both the indoors and outdoors.
$1,560.00
King & Queen are stools or accent tables in turned cork. Inspired by the pawns on the chessboard, especially by the pawns of the king and queen.
Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.