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Lazada
Designed by Christophe Pillet
This table base can be assembled with tops of various types, according to the taste and needs.
Finishes:
Structure in metal powder coated white, silk grey, grey, bronze, Dark brown or black, top in carrara or dark emperador marble, HPL laminate or ceramic
Dimensions:
DIA700 x H740 mm DIA800 x H740 mm DIA900 x H740 mm DIA1000 x H740 mm DIA1100 x H740 mm DIA1200 x H740 mm DIA1300 x H740 mm DIA700 x H670 mm DIA800 x H670 mm DIA900 x H670 mm DIA1000 x H670 mm DIA1100 x H670 mm DIA1200 x H670 mm DIA1300 x H670 mm
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The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
As fascinating as a throne and as protective as a cradle, a seat that combines the concepts of strength and softness in a single piece of furniture. The sleek Mstructure, made from solid beech strips, surrounds and supports the seat and the headrest in birch plywood with fabric upholstery. An important piece, destined to grab […]
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
Basic chair with essential design, the rod forms the profiles and volumes with graceful symmetry between empty and filled spaces.
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]