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Lazada
Designed by Daniele Lo Scalzo Moscheri
SYSTEM is a project born from a very simple sign. A rhomboidal and rounded section creates an ideal line for the design of a family of tables and benches, with a light and soft presence. System is a modular and varied program of different heights and dimensions. The purity of the leg section is combined with the soft and rounded shape of the tops. The construction with aluminum extrusions makes for a solid base available in many sizes of HPL tops that are interlinked in the Varaschin world.
Finishes:
Structure in aluminium powder coated white, silk grey, grey, bronze, Dark brown or black, top in HPL or ceramic
Dimensions:
W800 x D800 x H270 mm W800 x D800 x H360 mm
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Padded modular sofa. Outdoor version: framework in solid okume wood and Dryfeel outdoor foam. Indoor version: fir wood framework and indoor foam. Available in bi-fabric version in different colours. Piping in the same fabrics as the back/lower part of the element.
Padded modular pouf. Outdoor version: framework in solid okume wood and Dryfeel outdoor foam. Indoor version: fir wood framework and indoor foam. Available in bi-fabric version in different colours. Piping in the same fabrics as the back/lower part of the element.
Smart high stool perfectly meets the contract market demand: it is light weight but extremely durable, highly manageable and easy to stack for transport or storage. Very handy and ergonomically designed, smart balances convenience and comfort. It is the ideal option to furnish with style and charm cocktail bar areas indoors and outdoors.
The substantial semi-cylinder legs connect the slim stone top to form an oval shape, the Ratio coffee table is both sturdy and elegant. Feathering multiple materials that adds details and highlights to this piece.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.