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Lazada
Designed by Philippe Starck
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.
Finishes:
Suitable for outdoor use, base and column in anodized aluminium with top in SAN ivory or white carrara or base painted black with nero marquina marble Available in the colors: champagne, ivory, anthracite grey and red. Indoor/outdoor use
Dimensions:
W600 x D600 x H730 mm W800 x D800 x H730 mm
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The cultured and omnivorous voracity of Philippe Starck faces, in Neoz collection, the poetry of solid wood and the traditional archetypes form is reviewed. The result is a timeless collection characterized by straight lines as well as by a strong image.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
Stone is a new system of modular sofas with simple, easy shapes but rich in elements and with enough assembling choice to fulfill the needs of the widest range of public areas. Soft and comfortable, they draw upon the roundness of stones honed by flowing water, and come in a wide range of upholstery. Stone […]
Skylar is an example of how stunning its expressive shape exhibits craftsmanship and innovation. With its generous comfort defined by soft linear accents, Skylar creates captivating impression in any space.
Antonia Astori calls ‘memory furniture’ those pieces which tell something about people attention to indoor living. An attention expressed both by the recovery of disappeared archetypes, eg. canopy bed, and in precious materials manufacturing, eg. pleached roped steel headboard.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.