Visit us in store for a wider selection of items not found online.
Lazada
Designed by Tokujin Yoshioka
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
Finishes:
Suitable for outdoor use, structure in polythylene in white or anthracite grey
Dimensions:
W1770 x D780 x H755 mm
0
Where do you think mermaids would seat, into the blue, while rolling up their long tails? Certainly not on rationalist thrones or minimalist stools, perhaps on ancient rocks shaped by the sea. To this fantasy world seems inspired Tokujin Yoshioka – names of objects are never random – by building a seat as a mysterious […]
Kirk is a new system of armchairs and sofas conceived as a game of constructions in which the container and the contents change the interlocking game on minimal asymmetries, unexpected openings, compositional subtleties. Kirk sofa adapts perfectly to all spaces that want to fix the living room area with refinement and originality and redefines the […]
The 7 Pillows armchair is in solid beech wood, available in natural or painted, complete with 7 feather pillows with removable cover. This project was born with the desire to create a chair that tells how it is made, highlighting thecrafts, visible in the completely open structure, and communicating the simplicity with which it is […]
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, […]
Successful completion to the generous shapes of the famous Lord Yo armchair, Lord Yi table is surprising for its simplicity and the clear composition of the parties, deliberately signaled in his tripartite division of base, shaft and top.