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Designed by Enzo Mari
Finishes:
Structure in steel powder coated black brown, upholstery in a selection of fabrics or leather
Dimensions:
W1600 x D800 x H830 mm SH430 mm W2350 x D800 x H830 mm SH430 mm
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Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
It is a timeless chair because it comes in a material – natural hide obtained by respecting all the properties that comprise its identity – and because the project underlying this chair has the strength to challenge time: the hide will inevitably move, its texture will change and its colour will alter but the chair […]
In this very essential canonical dimensioned table, works plastic as if it was stone or concrete, insisting on the polite rounding of edges and the softness of junctions.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.