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Designed by Enzo Mari
Finishes:
Structure in steel powder coated black brown, upholstery in a selection of fabrics or leather
Dimensions:
W1600 x D800 x H830 mm SH430 mm W2350 x D800 x H830 mm SH430 mm
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Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.
The Film chair strikes an interesting silhouette between minimalistic and surprising. It features straight lines, emphasizing geometric structure and symmetry, creating an orderly and harmonious visual effect and presenting a sharp and clear aesthetic. The seat is lightly padded, creating a combination of suppleness and strength.
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
The Merano chair combines the bottom design made of solid wood with harmonic shapes of bent plywood in the seat and backrest. Thanks to the production technology used, it is remarkably light and does not contain any screws or metal pieces. Together with the bar stool, it creates a set with the Merano armchair.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]