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Designed by Philippe Starck
Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then to think about covering it, sometimes, with a white piquet slipcover that, instead of hiding, reveals.
Finishes:
Suitable for outdoor use, stackable, legs in aluminium, seat in polypropylene in carnation, white, light grey, black, optional loose cover in white cotton
Dimensions:
W625 x D660 x H945 mm SH450 mm
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lou eat is not a chair, it is an animal-like sculpture that could eat you.’ Philippe Starck Lou eat and lou think, along with lou read, form the lou read family, a seating collection that features plastic sculptural shapes. lou eat is the easiest and most versatile item in the collection, a small armchair upholstered […]
$1,850.00
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success […]
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This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
$9,230.00
$3,320.00
Like the undulating lines of coastal nature?simultaneously static yet softy organic?the Shore family embodies fleeting moments in its sweeping design. Crafted by designer Joel Fj?llstr?m, this upholstered series features a 2- and 3-seater sofa and an armchair, marking a significant chapter as his debut venture from his own creative atelier. The Shore Sofa beckons one’s […]
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.