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Lazada
Designed by Robin Day
Influenced by the notion of flexible design, the Daystak Desk highlights Robin Day’s skill for blending form with utility. The addition of a drawer box with visible dovetail joinery to the Daystak Table expands the functional potential of the design to create a desk that embodies Day’s singular creative focus. The drawer box can be ordered separately and placed on either side of the table.
Variation
$3,290.00
Showcasing a soft, inviting character, the RFH Lounge Chair follows the same design principles as the RFH Armchair. Small in footprint, part of the chair’s charm lies in its low and compact form, offering a lounge piece with a striking silhouette that can be placed in the most modest of spaces.
$2,020.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
$720.00
Designed with stackability in mind, the Daystak Side Chair by Robin Day is a lesson in functional utility and the beauty of simple forms. Exhibiting the designer’s dedication to craft, the side chair’s complex construction belies its visual simplicity and minimalist mid-century silhouette.
$1,130.00
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
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Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
$1,030.00
Lampe de Marseille was named after the Unit? d?Habitation in Marseille, the massive building designed between 1949 and 1952 by Le Corbusier and a symbol of Brutalist architecture.
Designed in 1965 by Elio Martinelli, the lamp is made of methacrylate molding techniques innovative for the time in which it was designed and its geometric shape and dynamism revives the atmosphere of those years decisive for the success of the design Italian in the world.