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Lazada
Designed by Robin Day
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
Variation
$2,920.00$2,482.00
Influenced by the notion of flexible design, the Daystak Desk highlights Robin Day’s skill for blending form with utility. The addition of a drawer box with visible dovetail joinery to the Daystak Table expands the functional potential of the design to create a desk that embodies Day’s singular creative focus. The drawer box can be […]
$1,130.00$960.50
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
$720.00$612.00
Designed with stackability in mind, the Daystak Side Chair by Robin Day is a lesson in functional utility and the beauty of simple forms. Exhibiting the designer’s dedication to craft, the side chair’s complex construction belies its visual simplicity and minimalist mid-century silhouette.
$3,290.00$2,796.50
Showcasing a soft, inviting character, the RFH Lounge Chair follows the same design principles as the RFH Armchair. Small in footprint, part of the chair’s charm lies in its low and compact form, offering a lounge piece with a striking silhouette that can be placed in the most modest of spaces.
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The Dunas collection from Inclass designed by Christophe Pillet portrays the essence of armchairs for waiting areas or lounges. Its design with smooth lines, sleek and stylish, along with its enveloping and comfortable forms, allows the creation of serene, cosy and modern spaces where one can relax, rest or carry out informal meetings.
Compact and snug, the Mayfair’s collection has a dual appearance: totally straight from the outside, like a single curved leaf, and pleasantly soft on the inside, like a den or nest. The organic lines are emphasised by the visible stitching.
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, […]