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Lazada
Designed by Hvidt & Molgaard
The 1956 Drawn chair by Hvidt & Molgaard stands out as a definitive piece of Danish design. Built upon traditional craftsmanship techniques and made out of organic materials, it brings a sense of wholesome honesty to any space. Available in oiled oak, oiled walnut, soaped oak, and the newest addition of black lacquered oak. It comes in two versions: a wider model with arm rests, or one without.
Variation
$2,110.00$1,793.50
Looking to create a versatile piece that would adapt to its surroundings, design duo Hvidt & Molgaard devised this handsome lounge table in 1956. As part of the Drop Leaf series, it boasts the same curved wooden frames and easily foldable design. Available in solid walnut or oak.
$7,920.00$6,732.00
$2,060.00$1,751.00
After experimenting for years with the concept of a laminated wooden frame inspired by old wooden tennis rackets, Danish design duo Hvidt & Molgaard released X in 1959, a lounge chair with a distinctive sloping silhouette and understated aesthetic.
AX represents one of the first times that plywood was shaped in 3D. The continuous curve of the armrests is mirrored in the frame, indicative of Hvidt & Mølgaard’s training in Danish cabinetry. Their expert engineering of the construction ensures unsurpassed ergonomics, resulting in the design’s reputation as the most comfortable wooden chair of its […]
$2,230.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
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Design and craftsmanship defines the Noa armchair. The crisp tailored leather back bends over to the side embracing the plush back and roomy seat, comfortable yet compact.
A system consisting of sofas and armchairs in different sizes, with a markedly sleek shape to receive the body nicely. Extra comfort is given by the large lumbar supporting cushion on the ample seat. Elegantly thin are the feet at the base of the frame, adding a touch of dynamism to the coziness.
As a master in architecture, the Japanese, Ito has proposed few but extraordinary design works. Suki armchair, designed in 1987, is one of them: an object made mysterious by the use of a double steel mesh row intersected by many springs. This is an ideological Manifesto but, unpredictably comfortable.