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Designed by Giacomo Cattani
The harmonic and enveloping shells in powder-coated metal tubing that define the Skin armchair – designed by Giacomo Cattani – evolve and transform themselves to compose a real collection. The play of colors – a plus that defines the Trabà production – can be emphasized by the many options in terms of shades and fabrics for the padding of the shell: the choice for indoor and outdoor, leather, imitation leather to create pleasant ton-sur seats -ton or bolder contrasting games.
Finishes:
Structure in metal powder coated in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W810 x D770 x H690 mm SH380 mm
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The harmonic and enveloping shells in powder-coated metal tubing that define the Skin armchair – designed by Giacomo Cattani – evolve and transform themselves to compose a real collection. The play of colors – a plus that defines the Trabà production – can be emphasized by the many options in terms of shades and fabrics […]
The SELF table base has soft and rounded shapes, it combines solidity and style; versatile to use both indoors and outdoors. The metal or HPL top, personalizes the environments, both round and square, with many variations and possibilities.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
$680.00
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami KallioÕs solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and chairs.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.