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Lazada
Designed by Giacomo Cattani
The harmonic and enveloping shells in powder-coated metal tubing that define the Skin armchair – designed by Giacomo Cattani – evolve and transform themselves to compose a real collection. The play of colors – a plus that defines the Trabà production – can be emphasized by the many options in terms of shades and fabrics for the padding of the shell: the choice for indoor and outdoor, leather, imitation leather to create pleasant ton-sur seats -ton or bolder contrasting games.
Finishes:
Structure in metal powder coated in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W590 x D580 x H920 mm SH670 mm W590 x D580 x H1020 mm SH770 mm
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The SELF table base has soft and rounded shapes, it combines solidity and style; versatile to use both indoors and outdoors. The metal or HPL top, personalizes the environments, both round and square, with many variations and possibilities.
The harmonic and enveloping shells in powder-coated metal tubing that define the Skin armchair – designed by Giacomo Cattani – evolve and transform themselves to compose a real collection. The play of colors – a plus that defines the Trabà production – can be emphasized by the many options in terms of shades and fabrics […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
Characterized by the embracing shell and stiletto legs, Lago is enhanced by it’s intensifying bright colors that deliberately smooth the entire surface.
$620.00
Named after the Betty Nansen theatre in Copenhagen, this stackable chair is a true evergreen design.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.