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Designed by Giacomo Cattani
The harmonic and enveloping shells in powder-coated metal tubing that define the Skin armchair – designed by Giacomo Cattani – evolve and transform themselves to compose a real collection. The play of colors – a plus that defines the Trabà production – can be emphasized by the many options in terms of shades and fabrics for the padding of the shell: the choice for indoor and outdoor, leather, imitation leather to create pleasant ton-sur seats -ton or bolder contrasting games.
Finishes:
Structure in metal powder coated in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W580 x D570 x H800 mm SH470 mm
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The harmonic and enveloping shells in powder-coated metal tubing that define the Skin armchair – designed by Giacomo Cattani – evolve and transform themselves to compose a real collection. The play of colors – a plus that defines the Trabà production – can be emphasized by the many options in terms of shades and fabrics […]
The SELF table base has soft and rounded shapes, it combines solidity and style; versatile to use both indoors and outdoors. The metal or HPL top, personalizes the environments, both round and square, with many variations and possibilities.
$5,740.00
With a clear reference to its name Coin, a round and endless loop, the circle is one of the most versatile geometric shapes.
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
Simple and monumental, Clockwise reveals its subtle humour only to those who manage to grasp the play of steps that define the position of the legs and the alternation of their positioning in the corners of the top. Born from the first collaboration between Tacchini and designer Michael Anastassiades, it is a table with an […]
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]