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Lazada
Designed by Emilio Nanni
Roxanne is a chair in which all the requirements for an iconic object are enclosed: strong personality, essential design and flawless performance between functionality and image. The great comfort obtained with the volumes of the backrest and seat perfectly calibrated in the sizing gives it excellent comfort. Roxanne is a stackable chair and is therefore suitable for use in contract spaces, such as conference and meeting rooms and is foreseen with the beech structure and a geometry of opposing lines in order to give maximum stability and ergonomics.
Finishes:
Stackable, structure in solid beech with beech veneer in natural, stained or lacquered in a selection of colours
Dimensions:
W510 x D490 x H760 mm SH465 mm
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The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
$820
Designers Jakob Thau & Sami Kallio turn things inside out with their chair that features usually hidden seat webbing as a design element. Crafted using natural linen fibers, the flexible webbing seat cradles the the body for maximum comfort. BettyÕs single-piece wooden frame is lightweight yet inherently stable and the chair is stackable.
$1,040
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
The cultured and omnivorous voracity of Philippe Starck faces, in Neoz collection, the poetry of solid wood and the traditional archetypes form is reviewed. The result is a timeless collection characterized by straight lines as well as by a strong image.