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Designed by Emilio Nanni
The overall vision created by the harmony of the beveled shapes, the full volumes and the soft but minimal design is recreated in a more rock, metallic version, thanks to the structure that lightens the seat. A wide range of colors for the padding, covered in velvet, or leather or eco-leather makes it suitable for both the home, kitchen, dining room, study, and in contract environments. A transversal proposal to create welcoming domestic settings or to furnish contract spaces.
Finishes:
Metal legs lacquered in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W550 x D450 x H770 mm SH470 mm
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The AKY collection of side tables is enriched with a new variant that combines the rounded and irregular shape of the top – in addition to the classic wooden trestle legs and rounded – combines metal legs, more slender and slender, which renew their impact .
Asymmetrical design for a stool that almost seems to dance, move, invite to socialization and sharing. Nhino, available in three different heights, is perfect for use around the kitchen table for breakfast or in the living room for lunch or in the living room for tea and coffee. A versatile seat also in the contract. […]
Aky stool, like the tables, is supported by legs with central meeting, which impart impetus and lightness. The circular wooden seat is also available in a version with upholstered fabric, on which a colored central button stands out.
$990.00
With its fun and joyful shape which resembles the Hulu shape which represents good fortune in chinese culture. Part of HC28 iconic collection, it can be used as a stool or as a side table. Available in a large variety of lacquer colors, Toy will add playfulness and light spirit to any living room, dining […]
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.