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Lazada
Designed by Emilio Nanni
The BARDOT tube version stands out for its elegance and shine, which amplifies its stylistic figure with new structures, new pastel shades and vibrant colors, and refined and current finishes. The structure is lightened with clean legs thanks to the use of the metal rod. A pleasantly soft and graceful design, that of the new Bardot Collection, with a 1950s flavor, made of full volumes, rounded lines, rounded corners and in which a singular overall harmony is felt.
Finishes:
Metal legs and arms lacquered in a selection of colours or plated brush or shiny copper, brass or champagne gold, upholstery in a selection of fabrics or leather
Dimensions:
W550 x D510 x H780 mm SH470 mm
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The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
Aky stool, like the tables, is supported by legs with central meeting, which impart impetus and lightness. The circular wooden seat is also available in a version with upholstered fabric, on which a colored central button stands out.
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.