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Designed by Emilio Nanni
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity. The color range offers the natural tones of ash, bleached or cocoa-stained ash or new color combinations in light shades with open pore finish. Top in varnished ash veneered mdf or lacquered version, metal base structure with the possibility of central meeting. The collection includes square, round and rectangular table.
Finishes:
Base and top in solid ash in natural, stained or lacquered in a selection of colours
Dimensions:
W1600 x D900 x H750 mm W1800 x D1000 x H750 mm W2000 x D1000 x H750 mm W2200 x D1000 x H750 mm W2400 x D1000 x H750 mm
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Asymmetrical design for a stool that almost seems to dance, move, invite to socialization and sharing. Nhino, available in three different heights, is perfect for use around the kitchen table for breakfast or in the living room for lunch or in the living room for tea and coffee. A versatile seat also in the contract. […]
Roxanne is a chair in which all the requirements for an iconic object are enclosed: strong personality, essential design and flawless performance between functionality and image. The great comfort obtained with the volumes of the backrest and seat perfectly calibrated in the sizing gives it excellent comfort. Roxanne is a stackable chair and is therefore […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity. The color range offers the natural tones of ash, bleached […]
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
The Marlen project is born in the name of comfort, ergonomics and resistance , the new Trabà chair designed by EP Studio. You can see a Fifties flavor in the curvature of the backrest – generously padded like the seat – and in the 4-legged structure in light and dynamic metal rod, which becomes more […]
Created to complement the homonymous chair, Toy table, lives, indeed, an independent life thanks to the elegance of its stem, strongly tapered. A detail which, combined with the soft lines of connection with the top and the base, gives the piece an intense classical connotation.
$2,220.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.