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Lazada
Designed by Emilio Nanni
A collection of important high tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
Finishes:
Base in solid ash in natural, stained or lacquered in a selection of colours, top in solid ash or beech or in ash veneer stained or lacquered in a selection of colours, HPL or fenix laminate
Dimensions:
DIA600 x H1100 mm DIA700 x H1100 mm W600 x D600 x H1100 mm W700 x D700 x H1100 mm
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Aky stool, like the tables, is supported by legs with central meeting, which impart impetus and lightness. The circular wooden seat is also available in a version with upholstered fabric, on which a colored central button stands out.
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
The BARDOT tube version stands out for its elegance and shine, which amplifies its stylistic figure with new structures, new pastel shades and vibrant colors, and refined and current finishes. The structure is lightened with clean legs thanks to the use of the metal rod. A pleasantly soft and graceful design, that of the new […]
Metal chair with structure in steel squared tube and upholstered seat. It featurea a soft cap which covers the back and is customizable both in colour and embroidery, hence the name HAT.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
Altet is one of those timeless classics deserving to be reedited because of its elegance and the simplicity of its shape. Without giving up on its roots or losing a tiny bit of its character, this updated version of Altet keeps showing how to successfully survive the passage of time.