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Designed by Emilio Nanni
A collection of important high tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
Finishes:
Base in solid ash in natural, stained or lacquered in a selection of colours, top in solid ash or beech or in ash veneer stained or lacquered in a selection of colours, HPL or fenix laminate
Dimensions:
DIA600 x H1100 mm DIA700 x H1100 mm W600 x D600 x H1100 mm W700 x D700 x H1100 mm
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The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
A pleasant soft and graceful design that of the Bardot collection , with a flavor of the 50s, made of full volumes, rounded lines, wooden legs and rounded corners warm the environment and at the same time create a pleasant harmony of design shapes clean a little Nordic.
Dam is a transversal small armchair, characterized by a wrapping and comfortable well recognizable backrest. Seat, lumbar support and backrest/armrests are the three elements that, held together in an invisible way. Available in a single fabric or with a gradient of different tones for a best match with the spaces to be furnished.
Christophe Pillet has sculpted a chair with armrest for Kristalia, suited also to use inside, perhaps in a modern office or flat, as well as in a garden or on the patio of an al fresco restaurant. The chair is visually striking, not in colour, for it is both sensibly and starkly monochromatic, but in […]
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]