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Designed by Emilio Nanni
The AKY collection of coffee tables is enriched with a new variant that combines the rounded and irregular shape of the top – in addition to the classic wooden trestle legs and rounded – combines metal legs, more slender and slender, which renew their impact .
Finishes:
Base and top in solid ash in natural, stained or lacquered in a selection of colours
Dimensions:
W1200 x D480 x H300 mm W1500 x D480 x H300 mm
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The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
A pleasant soft and graceful design that of the Bardot collection , with a flavor of the 50s, made of full volumes, rounded lines, wooden legs and rounded corners warm the environment and at the same time create a pleasant harmony of design shapes clean a little Nordic.
$1,130.00
“The Symbol of a new era focused on plastic”. That’s how Plia chair was presented in 1967 at the Fiera del Mobile in Milan. During the Fair, the Plia got so much acclaim from audiences that many visitors moved away from the stand with some samples without asking for permission… As a result of this […]
Versatile, comfortable and friendly, this chair is realized with curved wood structure. It can be with or without armrests, and has a multi-layer body covered in leather, fabric or velvet. The version without armrests is stackable up to 4 chairs.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.