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Designed by Claesson Koivisto Rune
Split expresses an elegant, immediately recognisable character, aside from its size, form and colour that lend coherence to the most diverse solutions and compositions in any given space. This is the concept behind the Split collection, a complete system of tables for both the home and contract interior, available in four different forms: coffee table, meeting table, bar table and low occasional table. Split comes in a range of shapes – round, elliptical, square, rectangular – and in a variety of finishes that allow one to create a coordinated look in either colour or monochrome.
Finishes:
Base in metal powder coated white, brown or black, top in laminate in white or black or in polished white carrara or matt black travetine marble
Dimensions:
Round: DIA700 x H720 mm DIA1270 x H720 mm Square: 650 x 650 x H720 mm 1200 x 1200 x H720 mm
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Enveloping, cozy, and as inviting as an island out at sea, this armchair is marked by a more organic shape and loosely structured frame. It fits in ideally in home furnishings and public contracts alike, perfect for diving headlong into R&R as well as soaking up work or study due thanks to its optional table, […]
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
$1,040.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
The quality of being modest: The freedom from vanity, the respect for discretion in the conduct, in the language, in the clothing, the simplicity, the moderation, designed to prevent the accidental exposure of a body part, a strip of modesty, of meekness.