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Lazada
Designed by Faye Toogood
Calm and sophisticated manifesto of contemporary style, Solar sits at the heart of Toogood?s Cosmic collection. An upholstered sofa that at first glance appears as a stack of cushions. With its unmistakable blend of ingenuity and style, Faye Toogood invites relaxation upon these quilted piles. Solar merges sculptural forms and softness, offering a fresh interpretation of Tacchini?s iconic upholstery. The fabric intentionally crinkles, giving the seating a generous push. Solar boasts a relaxed aesthetic embodying the casual elegance of Faye Toogood?s studio. Its soft tactility sets it apart among Tacchini?s range of bold and captivating furniture.
Finishes:
Upholstery in a selection of fabrics or leather
Dimensions:
W2000 x D900 x H700 mm
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Lunar form a constellation of scrunchable, glowing lights designed by Faye Toogood. This range of lighting epitomises Toogood?s playful and tactile taxonomy of materials. Lunar are quilted pendant lights with crumpled, papery covers. Internal wadding diffuses the light, giving Lunar a soft glow. Although each light is the same design the crunchable material framing the […]
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Orbit coffee table and desk are part of Cosmic: Toogood?s collaborative collection with Tacchini. Cosmic is full of irregular, elliptical shapes. Orbit features curving wooden legs upholstered in hide, topped with smooth wooden pebble shapes. The desk and table tops are lacquered, with a rounded hide inlay. The concentric ovals of Orbit are not uniform, […]
The distinctive, reassuringly chunky lines of Faye Toogood?s roly-poly furniture collection become even more inviting in her new collaboration with driade. The latest line for the italian design house takes the rounded, welcoming shapes of her limited-edition assemblage no 4 range. the low seat has been augmented with upholstered cushions that nestle in its curved, […]
Fredrikson stallard’s work often exudes an energy like that of abstract expressionism, a forcing by the artists hand or a chaos within the materials and forms themselves, albeit an organized chaos. In Sereno they have used similar themes, methods and language to instead create a moment of calm and solitude. The forms themselves are created […]
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.