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Lazada
Designed by Claesson Koivisto Rune
Claesson, Koivisto Rune studio proposes a project that was born from a careful analysis of body gestures. They also translate them into an iconic and suggestive shape, but at the same time geometric and essential one. From the visual form of the verbal language – borrowed from the simple configuration of the letter “u” – the Swedish designers translate the game of three- dimensional extrusion, starting from the silent language of human body. In fact, the armchair “Pisa” is a minimal object, an intimate and reduced space, created to enfold the person, leaving space to his most hidden expressions, but without forgetting its comfort and daily use. Therefore, the characteristic lines of “Pisa” – the slightly reclined backrest and the cut profile – come out when you seat on it, when the objectivity of empty elements, curves and geometric shapes, is balanced by a methodical plan based on the gestural expression of everyone.Mainly designed for public spaces, offices or hotels, “Pisa” is an upholstered armchair with a small size, suitable for narrow spaces, where it can be used to furnish warm and welcoming public areas.
Finishes:
Upholstery in a selection of fabrics or leather, optional swivel base
Dimensions:
W670 x D760 x H820 mm
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A system consisting of sofas and armchairs in different sizes, with a markedly sleek shape to receive the body nicely. Extra comfort is given by the large lumbar supporting cushion on the ample seat. Elegantly thin are the feet at the base of the frame, adding a touch of dynamism to the coziness.
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
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Claesson, Koivisto Rune studio proposes a project that was born from a careful analysis of body gestures. They also translate them into an iconic and suggestive shape, but at the same time geometric and essential one. From the visual form of the verbal language – borrowed from the simple configuration of the letter “u” – […]