Designed by Faye Toogood
Lunar form a constellation of scrunchable, glowing lights designed by Faye Toogood. This range of lighting epitomises Toogood?s playful and tactile taxonomy of materials. Lunar are quilted pendant lights with crumpled, papery covers. Internal wadding diffuses the light, giving Lunar a soft glow. Although each light is the same design the crunchable material framing the bulb can be scrunched and folded, holding shape and giving each light its own unique character. You could hang a whole room with Lunar and no two would be look exactly the same. With a nod to the light?s origins, Lunar is available in international paper sizes A2, A1 and A0.
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Orbit coffee table and desk are part of Cosmic: Toogood?s collaborative collection with Tacchini. Cosmic is full of irregular, elliptical shapes. Orbit features curving wooden legs upholstered in hide, topped with smooth wooden pebble shapes. The desk and table tops are lacquered, with a rounded hide inlay. The concentric ovals of Orbit are not uniform, […]
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The distinctive, reassuringly chunky lines of Faye Toogood?s roly-poly furniture collection become even more inviting in her new collaboration with driade. The latest line for the italian design house takes the rounded, welcoming shapes of her limited-edition assemblage no 4 range. the low seat has been augmented with upholstered cushions that nestle in its curved, […]
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
Simple and contemporary lines defines the Lana collection characterized by its versatility. With an upholstered seat and back for comfort and a structure in wood or metal, Lana becomes a perfect piece for any space. The shape of its backrest plays with volumes and intersects with the structure giving it a particularly interesting aspect.
Costes chair debuted in 1984, marking the beginning of the partnership between Philippe Starck and Driade. A designer, formerly unknown in Italy, creates one of the world’s most iconic object. Designed for the once homonymous, now disappeared Parisian cafe, owes its timeless success to the absoluteness of forms: a dark wooden embracing structure with three […]
“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]