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Lazada
Designed by Monica Forster
The basic inspiration for Glide is observation of nature, the fluid and constant change from one shape to another, from one state to another, like the snow in spring. A concept that has produced a large, soft and slim chair in polyurethane foam with differentiated density, supported by an airy metal frame, which holds the body in a light and spontaneous embrace.
Finishes:
Base in metal lacquered white or black, upholstery in a selection of fabrics or leather
Dimensions:
W1060 x D650 x H610 mm SH370 mm
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Heavy elements are linked to lighter ones, like ink marks drawn on a sheet of paper to form a character, a letter, an ideogram._ Clear contrasts of thickness translate into incisive graphic expressions: to give life to these unmistakable figures in marble and ash wood, Monica F?rster is inspired by calligraphy, the art of writing […]
The story of two elements, which rub against each other until they fit together perfectly._ Monica Forster revisits the classic coffee tables with central support by creating a breaking point in the traditionally flat and smooth surface of the wooden top, which almost seems to become a stone mill with the characteristic central hole in […]
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Carefully designed shapes and sizes for all-round comfort: this is the guiding principle behind the Montevideo sofa. Armrests and backrest trace a soft and cozy outline, complete with feather cushions supporting your lower back. Ergonomic and elegant, the Montevideo sofa is also paired with a matching armchair.
Snug and cosy, like the sweet refuge of an embrace, Shelter draws its inspiration from a design that has gone down in the history of modern seating: the Egg armchair designed by Arne Jacobsen in 1958 for the Royal Hotel in Copenhagen. Following in the footsteps of this iconic design, and above all echoing the […]
Beam is a multifunction low table made by an old wood, equipped with lead-painted metal top. The rustic appearance of wood, deliberately not treated, allows to exploit its full expressive value. The Irregularities of this old wood have to be considered a quality and not a defect, which thus characterizes each piece.