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Lazada
Designed by Lievore Altherr Molina
Baobab is characterised by the contrast of the full rounded form of the seat with the fine and elegant profile of the back. The result, quite apart from its unique personality is a very pleasing, comfortable and eye catching piece.
Finishes:
Upholstery in a selection of fabrics or leather, castors
Dimensions:
W800 x D770 x H690 mm SH400 mm
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In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
Maat hand-woven outdoor lounge armchair is cozy and functional: its very stable structure envelops those who sit and support their arms and back. Maat chair is just perfet for relaxing in the garden in contact with nature. The triangular, open-weave pattern strongly identifies the product and gives it an airy look.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.