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Lazada
Designed by Gianfranco Frattini
Tacchini’s constant and passionate research about furniture design always brings the company to discover new shapes, materials and creative personalities, but also to rediscover historical design masters. After Achille Castiglioni and Franco Albini, this time Tacchini’s focus is Gianfranco Frattini, one of the major protagonists of Italian Design from the ‘50s to the beginning of 2000. Even if Tacchini presents it today with a new name, Agnese, the armchair is produced in a very accurate way and with extreme fidelity to the original design. The ash wood structure has different finishes whilst the shell, the backrest and the armrest finished with sartorial seams come together in harmonious combination. Moreover, following from Frattini’s original project, the armchair is accompained by a matching ottoman. Agnese is just the beginning of a comprehensive project that aims to support the revival of a great designer’s style but also an entire atmosphere of interior decor.
Finishes:
Structure in beech wood stained walnut or grey, upholstery in a selection of fabrics or leather
Dimensions:
Lounge Chair: W840 x D760 x H730 mm Footstool: W570 x D510 x H420 mm
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Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, […]
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$15,600.00
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann ? both formal and functional, constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, proposed […]
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
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