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Designed by Lievore Altherr Molina
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Finishes:
Frame in aluminium lacquered mocha, black or burnished brass, mirror in clear, tinted grey, bronze, rose or gold
Dimensions:
W1800 x D50 x H400 mm W1900 x D50 x H800 mm W2200 x D50 x H450 mm W2200 x D50 x H900 mm
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Baobab is characterised by the contrast of the full rounded form of the seat with the fine and elegant profile of the back. The result, quite apart from its unique personality is a very pleasing, comfortable and eye catching piece.
A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
$2,530.00
Smart is a design rocking armchair, ideal to decorate gardens, terraces or outdoor veranda. It is the right choice for those who want to relax or dine in the open air in an original way. Used in combination with low tables, which have a lower height than the standard tables, Smart outdoor rocking lounge armchair […]
The harmonic and enveloping shells in powder-coated metal tubing that define the Skin armchair – designed by Giacomo Cattani – evolve and transform themselves to compose a real collection. The play of colors – a plus that defines the Trabà production – can be emphasized by the many options in terms of shades and fabrics […]
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.