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Lazada
Designed by Lievore Altherr Molina
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Finishes:
Frame in aluminium lacquered mocha, black or burnished brass, mirror in clear, tinted grey, bronze, rose or gold
Dimensions:
W400 x D300 x H1820 mm
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Curved glass and metal profile are joined together to create a single form, able to create different chromatic combinations and types of furniture: from the coffee table to the console. An idea that can satisfy different needs with a unique style.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
$2,260.00
A family of seatings that share an aesthetic and functional DNA. Every material is found to fit the best for each product, both for structures and surfaces.
Maat hand-woven outdoor lounge armchair is cozy and functional: its very stable structure envelops those who sit and support their arms and back. Maat chair is just perfet for relaxing in the garden in contact with nature. The triangular, open-weave pattern strongly identifies the product and gives it an airy look.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.