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Designed by Lievore Altherr Molina
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Finishes:
Structure in metal lacquered embossed white, clay, mocha or black, top in glass in a selection of glass lacquered or frosted lacquered, textured net, textured materia, ceramic polished or matt finish
Dimensions:
W3000 x D1350 x H750 mm
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The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Palace dining table and its unique design become the outright protagonist of the living area, thanks also to the new shapes. An important element that sets the mood of the whole room.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
A pleasant soft and graceful design that of the Bardot collection , with a flavor of the 50s, made of full volumes, rounded lines, wooden legs and rounded corners warm the environment and at the same time create a pleasant harmony of design shapes clean a little Nordic.
Hybridization is the concept behind the Jackie collection, designed by Emilio Nanni – a seat in which the stable solid wood structure meets a welcoming backrest in metal rod covered with a rope weave. Jackie is enriched with new colors, very decisive and characterizing, in a fruitful and harmonious dialogue between heterogeneous materials, ethnic hints […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.