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Designed by Lievore Altherr Molina
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Finishes:
Legs in metal lacquered white, clay, mocha or black, upholstery in a selection of fabrics or leather
Dimensions:
W480 x D500 x H800 mm SH460 mm
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Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
Its oblong structure reminds that of Neolithic dolmens with two vertical pieces supporting a large flat capstone, but very much lighter as it is made of thin aluminum sheets and wood slats. Hence its name. Thanks to its simple design, as clever as pleasant, Slats blends smoothly into any kind of background.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
Design has recently begun to reread the last 80s, a period full of hedonistic sings. Ludovica and Roberto Palomba embrace this input in a collection for driade that combines some of this aesthetic hallmarks as straight cast-aluminium structure elegantly painted and damier decoration.
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.