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Designed by Lievore Altherr Molina
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Finishes:
Structure in oak veneer in a selection of finish or walnut veneer with black laminated glass, top in clear or tinted smoked or bronze glass
Dimensions:
W2000 x D1000 x H740 mm W2400 x D1200 x H740 mm W2500 x D1000 x H740 mm
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Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
Palace dining table and its unique design become the outright protagonist of the living area, thanks also to the new shapes. An important element that sets the mood of the whole room.
Thanks to its transparent and aerial architecture the Valencia dining table creates original visual effects through the combination of the glass base and the top available in different materials and finishes. An idea that shapes infinite possibilities, always with a unique design.
Sila is a project from which a lot of different versions take form, starting from simple shapes and natural materials.
Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
Versatile, comfortable and friendly, this chair is realized with curved wood structure. It can be with or without armrests, and has a multi-layer body covered in leather, fabric or velvet. The version without armrests is stackable up to 4 chairs.
$1,850.00
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success […]
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.