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Designed by Lievore Altherr Molina
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Finishes:
Structure in wood with oak veneer in natural or stained with smoke or black laminated glass, top in oak veneer in natural or stained or black laminated glass
Dimensions:
W550 x D550 x H450 mm
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Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
Swan is a multifunctional piece of furniture: a single bent glass sheet that blends perfectly with other contemporary furnishing complements, also thanks to the possibility of choosing among several colour options.
$980.00
The Frame Chair collection designed in 1991, displays a light and rigorous style, which results in comfortable seats. The stackable seatings, Highframe 40, Bigframe 44 and Frame 52, differ in their proportions and are available with or without armrests. Frame represents a landmark in contemporary design and is still one of Alias’ most successful product […]
Boston is a wall mirror that reflects an indepth search for simplicity and beauty. The lacquer finish of the frame, available in various colours, is applied to the back of the glass for an even shinier aspect. Available also in a totally mirrored finish.
$1,040.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
$1,850.00
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success […]