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Designed by Lievore Altherr Molina
A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
Finishes:
Structure in metal in lacquered mocha, black or burnished brass, top in mirror or frosted mirror, textured materia glass or in ceramic polished or matt finish
Dimensions:
W450 x D320 x H570 mm
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In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Available in more than 200 combinations, Kodo has been designed to reach large dimensions while maintaining an exceptional structural lightness.
A design chair that combines strength and beauty with practicality and reliability; Elephant, pushes the boundaries of innovation and sets new standards for design and usability. Despite its relatively short lifespan, Elephant has already received international recognition from audiences and critics alike, and was awarded with the “Best of Best Winners of the Interior Innovation […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.