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Lazada
Designed by Lievore Altherr Molina
A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
Finishes:
Structure in metal in lacquered mocha, black or burnished brass, top in mirror or frosted mirror, textured materia glass or in ceramic polished or matt finish
Dimensions:
W600 x D350 x H800 mm W1300 x D350 x H800 mm W900 x D900 x H450 mm W1200 x D1200 x H350 mm W1400 x D1400 x H350 mm W1200 x D600 x H350 mm
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Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
Lievore Altherr Molina, the Barcelona-based design firm typically designs harmonious and balanced items as well as intense shapes balanced in a peaceful tension. For Driade they have designed Verlaine, a sofa complete with a pouf sporting an exceptionally expressive versatility that reminds of organic and flowing shapes. Its fascinating silhouette is an irresistible attraction inviting […]
Camouflage is an outdoor collection that includes a high and low armchair, a table and small table, all made of aluminium. in these sculptured elements the geometrical design of the structure frames the elaborated fretworked decoration.
Padded modular pouf. Outdoor version: framework in solid okume wood and Dryfeel outdoor foam. Indoor version: fir wood framework and indoor foam. Available in bi-fabric version in different colours. Piping in the same fabrics as the back/lower part of the element.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.